Eugene Peterson kicks off "Eat This Book" with the reference from whence the title comes: Revelation 10:9-10. But the concept of how to internalize the words we're called to live comes alive in a new way in this clip:

pages 76-77

Frances Young uses the extended analogy of music and its performance to provide a way of understanding the interrelated complexities if reading and living the Holy Scriptures, what John experiences as eating the book. Her book "Virtuoso Theology" searches out what she names as "the complex challenges involved in seeking authenticity in performance." It is of the very nature of music that it is to be performed. can music that is not performed be called "music"? Performance, though, does not consist in accurately reproducing the notes in the score as written by the composer, although it includes this. Everyone recognizes the difference between an accurate but wooden performance of, say, Mozart's Violin Concerto No. 1, and a virtuoso performance by Yitzak Perlman. Perlman's performance is not distinguished merely by his technical skill in reproducing what Mozart composed; he wondrously enters into and conveys the spirit and energy - the "life" - of the score. Significantly, he adds nothing to the score, neither "jot not tittle." Even though he might reasonably claim that, with access to the interrelated psychologies of music and sexuality, he understands Mozart much better than Mozart understood himself, he restrains himself; he does not interpolate.

One of the continuous surprises of musical and dramatic performance is the sense of fresh spontaneity that comes in the performance: faithful attention to the text does not result in slavish effacement of personality; rather it releases what is inherent in the text itself as the artist performs; "music has to be 'realized' through performance and interpretation."

Likewise, Holy Scripture. The two analogies, performing the music and eating the book, work admirably together. The complexity of the performance analogy supplements the earthiness of the eating analogy (and vice versa) in directing the holy community to enter the world of Holy scripture formationally.

But we are "unscripted," Alasdair MacIntyre's word in this context, we spend our lives as anxious stutterers in both our words and actions. but when we do this rightly - performing the score, eating the book, embracing the holy community that internalizes this text - we are released into freedom: "I will run in the way of thy commandments when thou enlargest my understanding" (Psalm 119:32)

Needless to say, I loved "Eat This Book." That's a good sign for my aim of finishing up Peterson's other two books in the series: "The Jesus Way" and "Christ Plays in 10,000 Places." At some point later on, maybe I'll learn to read books written in a series in the actual order they're released. Next month, I'm thinking "The Jesus Way" is the book of the month, plus the paperback of Francis Collins' "The Language of God" comes out. In the meantime, I've got a few more books half-read that are in need of finishing.